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A Swiss Adventure

Touring Switzerland

Bern

After our incredible stay in Zermatt, Julia and I boarded a train bound for Bern. The train journey, as always in Switzerland, was smooth and picturesque. Rolling hills, small villages, and expansive green meadows passed by our windows as we made our way toward the capital city. We were both eager to explore Bern, a city known not only for its historical significance but also for its connection to one of the greatest minds in history: Albert Einstein.

Arriving in Bern felt different from the mountain villages we had been visiting. It was a city, no doubt, but there was something wonderfully calm and unhurried about it. The old town of Bern, with its UNESCO World Heritage status, is packed with medieval buildings, cobblestone streets, and covered arcades that stretch out along the streets like a continuous canopy. Despite being the capital – well kind of –, Bern has a village-like charm that immediately resonated with us.

Officially designated as the "federal city," Bern was chosen as a compromise in 1848 to avoid centralizing too much power in one region, reflecting Switzerland’s commitment to decentralization. Unlike other capitals, Bern is not the largest or most economically powerful city in the country, with Zurich and Geneva holding much of the financial and diplomatic influence. So, Bern is sort of the capital of Switzerland.

A person standing in front of a building

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We had two days in this lovely city, and we were determined to make the most of it. Our first stop was the Federal Palace (Bundeshaus), where Switzerland's parliament meets. The building itself is an architectural marvel, with its neo-Renaissance design and imposing façade.

From there, we strolled through Bern’s old town, wandering along the narrow streets, stopping in quaint shops, and admiring the town’s many fountains—each with its own story. It was easy to lose ourselves in the beauty of the city, and soon we found ourselves standing in front of one of Bern’s most famous landmarks, the Berner Münster. This towering cathedral, with its intricate Gothic architecture, was a sight to behold.

One of the highlights of our time in Bern was undoubtedly our visit to the Einstein House. Located in the Kramgasse, this modest apartment was where Einstein lived with his first wife, Mileva, and their son, Hans Albert, from 1903 to 1905. It was during these years that Einstein worked at the Swiss Patent Office, a job that gave him the time and space to work on his own scientific ideas. This period in Bern is known as Einstein's “miracle year” (annus mirabilis), during which he published four groundbreaking papers that would forever change the world of physics.

Walking through the small apartment, it was amazing to think that it was here, in such simple surroundings, that Einstein developed his special theory of relativity. The house has been preserved to give visitors a sense of what life was like for the young physicist at that time. The exhibits tell the story of Einstein’s life, his time in Bern, and how his ideas evolved. One room is filled with photographs, letters, and other personal artifacts that help paint a picture of his life as both a scientist and a man.

What we found particularly interesting was Einstein’s journey with citizenship. Born in the German Empire, Einstein gave up his German citizenship in 1896 and was stateless for a few years before becoming a Swiss citizen in 1901. His decision to move to Switzerland was partly motivated by his desire to escape the rigid educational system in Germany, but also because Switzerland, with its progressive attitude toward science and intellectual freedom, seemed like the perfect place for him to grow and thrive. Bern, in particular, became a place of refuge and creativity for Einstein during his early years, and it’s clear that the city had a lasting impact on him. Despite his later fame and travels around the world, he always maintained his Swiss citizenship.

The next day, we visited the Bern Historical Museum (Bernisches Historisches Museum), which hosts the famous Einstein Museum exhibition. This extensive collection dives even deeper into Einstein's life and work, giving a detailed account of his scientific discoveries and their impact on the world. The museum does an incredible job of making complex scientific ideas accessible to the general public, using interactive displays, original manuscripts, and historical artifacts. We spent hours exploring the exhibits, immersing ourselves in Einstein’s life and work, from his humble beginnings in Bern to his later years as one of the most renowned figures in the world.

While living in Bern, Albert Einstein invented a small device called the Einstein refrigerator in collaboration with his former student Leo Szilard in 1926. Yes, he was an inventor too – who new. This refrigerator was an absorption refrigerator that operated without any moving parts and used only heat as an energy source. The design was meant to be safer and more reliable than the traditional refrigerators of the time, which used toxic gases like ammonia, methyl chloride, and sulfur dioxide as refrigerants. Although it never became commercially successful, the Einstein refrigerator demonstrated Einstein’s innovative approach to problem-solving, extending beyond his contributions to theoretical physics.

The exhibition also touched on the more personal aspects of Einstein’s life—his complex relationships, his political views, and the challenges he faced as both a scientist and a public figure. One of the most moving parts of the exhibition was learning about how Einstein, a pacifist, spoke out against war and fascism, particularly during the rise of the Nazi regime in Germany, which led to his decision to leave Europe for the United States. Despite all the upheaval in his later life, Einstein’s connection to Switzerland remained strong, and it was clear that Bern had a special place in his heart.

After two days of exploring Bern’s history and Einstein’s legacy, we were equally impressed by the city itself. Though it is the political center of Switzerland, Bern retains a charming and relaxed atmosphere, with its well-preserved medieval architecture and its welcoming, easygoing vibe. One of the things we appreciated most was how easy it was to find vegan food. We had expected Bern to be a bit more traditional, but we were pleasantly surprised by the number of restaurants offering plant-based options. From vegan burgers to creative salads and hearty vegetable stews, we never had trouble finding delicious meals.

As we prepared to leave Bern, we couldn’t help but feel a sense of admiration for the city and its deep connection to Einstein. Bern is more than just a political and historical hub—it’s a place where ideas were born, where one of the greatest minds of our time found inspiration and refuge. It’s a city that, while small in size, is grand in its significance. And for us, it will always hold a special place in our hearts, not just for its beauty and history, but for the quiet sense of inspiration it left with us.

Zurich

After two lovely days in Bern, it was time to make our way back to Zurich. The train ride was comfortable, passing through picturesque Swiss countryside, each bend revealing new vistas of rolling hills and the occasional silhouette of distant mountains. Julia and I had grown fond of the easy travel in Switzerland, the efficiency of the trains, and how they seemed to glide from city to city without ever a hitch. We reminisced about our time in Bern—how the quaint charm of the city had captured our hearts.

Arriving in Zurich, the familiar vibrancy of the city greeted us. Zurich is the largest city in Switzerland, but what struck us wasn’t its size but the beauty and diversity in each part of it. From the moment we walked out of the train station, the flow of the Limmat River caught our attention, its waters cutting a clean line through the city, bringing a sense of calm amidst the bustling streets. We decided to start our stay with a stroll along the river, where the medieval architecture of the city blended effortlessly with modern buildings. It was impossible not to feel the weight of history in Zurich. The city’s rich past seemed to flow through the streets, hidden in the walls of ancient structures and whispered by the winds as they swept off the lake.

Zurich’s lakefront is mesmerizing, a tranquil body of water with sailboats drifting lazily across its surface. As we walked along the promenade, we took in the sight of locals enjoying the sunny afternoon, some on bicycles, others walking dogs, all soaking in the serenity of the lakeside. The view of the distant Alps added to the splendor, though they were now a backdrop to the urban vibrancy we were immersed in. Afterward, we meandered through the narrow, winding streets of Zurich’s Altstadt (Old Town), with its cobblestone paths and medieval buildings, giving the feeling that we’d stepped back in time.

One of the highlights of our time in Zurich, however, was our visit to the Kunsthaus Zürich, the city's famed art museum. We were eager to experience it. From the moment we stepped into the museum, it became clear that this was more than just an art collection—it was a deep and complex reflection of history, particularly that of the 20th century. Julia and I had read about the museum’s connection to the controversial era of Nazi Germany, a chapter in European history that the art world has had to confront time and again.

The museum’s collection is vast, covering centuries of artistic achievement, but it was the modern European art section that drew us in the most. We moved through rooms filled with works by Giacometti, Chagall, Munch, and Picasso, their bold colors and striking forms speaking volumes about the tumultuous periods in which they were created. Each painting seemed to carry the weight of the artist's personal history, but also a collective history—one marked by war, displacement, and loss.

One particular exhibit caught our attention, a section dedicated to art that had been looted or confiscated by the Nazis during World War II. This part of the museum told a darker story, one where art and politics collided in ways that forever altered the lives of artists, collectors, and entire families. During the Nazi regime, many Jewish collectors and artists had their works stolen or forcibly sold under duress. The Nazis labeled much of the avant-garde work of the time as “degenerate art,” seeking to erase what they saw as subversive or nonconformist ideas from the cultural landscape of Europe. Many of the pieces we were admiring in the museum had once belonged to Jewish families, their fates tragically intertwined with the horrors of the Holocaust.

Kunsthaus Zürich, like many other major European museums, had to confront its own involvement in the handling of looted art. While the museum is not directly responsible for the thefts, some of the works in its collection had questionable origins. A part of the museum’s history involves a man named Emil Georg Bührle, a wealthy industrialist and art collector who amassed an extraordinary collection during and after the war, some of which was later found to have come from dubious sources. The museum houses many of Bührle’s acquisitions, and there has been ongoing debate about the provenance of some of these pieces.

As we stood in front of one of Bührle’s acquisitions, a painting by Van Gogh, I couldn’t help but feel a sense of unease. It was beautiful, of course, but knowing the potential history behind it added a layer of complexity to our experience. We discussed how museums today are taking steps to research the provenance of their collections and return stolen art to the rightful owners, but it is a long and often difficult process. Julia and I felt conflicted, torn between admiration for the art and sorrow for the families who had suffered so much loss.

Despite the difficult history, the Kunsthaus Zürich is also a place of healing and reconciliation. In recent years, the museum has made a concerted effort to shine a light on its more controversial pieces, openly discussing the Bührle collection and the steps being taken to address historical wrongs. The exhibit we were walking through was a part of that effort, with detailed descriptions accompanying each piece, explaining its provenance, the family's history, and the ongoing efforts to restore justice where possible. It was humbling to witness.

Leaving the museum, we felt a sense of gratitude for the experience, even if it left us with more questions than answers. Art, as we had been reminded, is not only a reflection of beauty but also of human history—the good and the bad, the triumphs and the tragedies. Zurich’s art museum embodied that truth, standing at the crossroads of culture and history, constantly reminding visitors of the complexities of the past.

For the remainder of our stay, we dined at some of Zurich’s wonderful vegan restaurants, including a cozy spot near the river that served plant-based versions of traditional Swiss dishes. We loved exploring the culinary creativity of the city, discovering just how much Zurich had to offer beyond its stunning views and rich history. As we prepared to leave the city and conclude our Swiss adventure, Zurich had left an indelible mark on us—a place where the past and the present coexist in harmony, where every corner held a story, and where art, food, and nature came together to form a truly unforgettable experience.



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